Paul Gregoire reviews a new the ground breaking four-part documentary series that puts genocide at the core of the western expansionist project.
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Barry Healy reviews My Name is Gulpilil, a testament in film to David Gulpilil's triumphs as an actor and traditional dancer as well as his suffering.
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For five nights in May, three locations around Warrane (Sydney Cove) will be transformed with images, music and stories of the lives and resistance of Sydney’s Black, queer and grassroots communities, writes Rachel Evans.
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Barry Healy reviews Mientras dure la guerra, a film illustrating human failure and the psychology of fascism during the Spanish Civil War.
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Renown British filmmaker and social activist Ken Loach is the target of a vicious smear campaign by pro-Zionist forces, writes Gavin Lewis.
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The premiere of a film about Jack Mundey’s life and politics is set to launch the new Dare to Struggle Film Festival. Pip Hinman reports.
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Kinetic Energy Theatre Company co-directors Jepke Goudsmit & Graham Jones have been readying the Sydney-based company’s body of work for publication.
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Chris Nelius, the director of Girls Can’t Surf, spoke with һƷ̽ about the making of the film.
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The magnificence of the Black Panther Party and its martyed leader, Fred Hampton, are brought to life in Judas and the Black Messiah, a film with a few defects, writes Barry Healy.
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Isabelle Huppert comes to rule the Parisian hashish trade in this comedy/drama that demonstrates the casual violence of the French police, writes Barry Healy.
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Bye Bye Morons is a sweet French comedy with a satirical bite, writes Barry Healy.
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Barry Healy reviews 2067, a thriller set in an unnamed Australian city, racked by climate change and where oxygen must be bought from a huge corporation.